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Chapter 13 - Chapter Eleven:Nightshade and Wine

The soft rustle of silk sheets filled the air, blending with the gentle creak of the window shutters as the wind from the canals whispered through.

Lía lay half-shadowed by the moonlight, her robe slipping from her shoulder. Her hair tumbled over the pillow like spilled ink, and her eyes—dark, unguarded—were fixed on him.

Alessio stood at the window, shirtless, the moonlight etching the lines of his back in silver. He didn't turn to her immediately. He was fighting something—inside, deeper than desire.

"Say it," she whispered behind him.

He didn't move.

"Dillo." (Say it.)

"If I say it," he replied without turning, "it becomes real. This… you… everything between us. It stops being safe."

"It was never safe," she said, slipping out of bed, walking to him slowly. Her fingers touched his back lightly. "We are two knives, Alessio. But even blades can fall into the same sheath."

He turned then—slowly, deliberately—and kissed her.

No hesitation this time. No words. Just the heat of skin meeting skin, of mouths searching like they were looking for lost time.

Their clothes came off not with hunger, but reverence.

They touched each other not to possess, but to remember.

Alessio kissed down her neck, slow, deep, while Lía ran her hands through his curls, clutching at him like he was the only thing tethering her to the earth.

They collapsed onto the bed in a tangle of limbs and breath, her thighs wrapping around him as he held her gaze, his forehead resting against hers.

"Guardami." (Look at me.)

She did. Through every shift, every raw thrust, every kiss that tasted like confession.

They made love like they didn't know tomorrow would come.

And when it was over—sweaty, bare, hearts pounding like war drums—they lay tangled together, quiet.

Not out of shame.

But out of awe.

---

Sometime Before Dawn

She traced lazy lines on his chest.

"This doesn't change who we are," she said.

"No," he murmured. "But it reminds me who I want to be."

And for the first time, neither of them felt like weapons.

They felt human.

---

#Ghost in the Blood#

The phone slipped from Alessio's fingers and clattered softly to the floor.

He stared at it.

Like it had just spoken in tongues. Like the dead had reached through the veil.

"No..." he whispered. "No, questa è impossibile. (this is impossible.)"

Lía sat up, arms clutching the sheet to her chest, her expression tight, unreadable.

"That voice—" He turned slowly, his face pale, jaw clenched. "That was my mother. La voce di mia madre."

"Alessio—"

"You told me she was dead," he said, breath trembling. "You let me believe she died. Perché? Perché mi hai mentito? (Why? Why did you lie to me?)"

"I didn't mean to," she said quickly. "Lo giuro! (I swear!)"

He took a step back, shaking his head like he was drowning in her eyes now.

"You stood at her grave with me, Lía. You held me. You watched me bury a ghost—quando lei era viva tutto il tempo?! (when she was alive all along?!)"

Her voice cracked.

"Mi dispiace, non volevo ferirti. (I'm sorry, I didn't want to hurt you.)

Your mother… she instructed me to say nothing.

I followed her orders—ho solo seguito gli ordini."

He let out a bitter breath, not quite a laugh. Not quite human.

"So I'm just another mission?"

"No."

"Another weapon she forged?"

"No!" She stood now, the sheet slipping, forgotten. "You're not a mission, Alessio. Sei l'unica verità che non potevo spezzare. (You're the one truth I couldn't break.)"

They stared at each other.

Wounded. Wanting. Torn.

Outside, Venice carried on, oblivious.

Inside, a son stood between the ghost of a mother and the girl who had guarded the lie.

And somewhere, far away, Sienna Black whispered over a chessboard, tipping a crimson-painted pawn:

"Let them burn before they bloom."

---

#Ashes Between Us#

Alessio grabbed his coat without even putting on a shirt.

"Alessio, wait—per favore! (please!)"

"No. I need air. I need to breathe without choking on lies."

He slammed the door.

Lía stood in the silence that followed, breathing hard, tears stinging but not falling. Not yet.

Outside, the sound of canal water lapping against stone echoed like a heartbeat. Alessio moved through the narrow alleys of Venice like a shadow unraveling.

---

#Two Hours Later#

The sun had climbed, burning gold on the tiles of the old rooftops.

Alessio returned, hair windswept, jaw rigid. Lía sat in the velvet chair by the window, not surprised.

"I didn't know if you'd come back," she said softly.

"I didn't either."

He stood there, still not moving closer.

"You should have told me," he said, voice rough. "I buried my mother. I said goodbye with real tears. Ho portato il suo nome nel sangue. (I carried her name in my blood.) And all this time…"

"I couldn't break her orders," Lía said. "She's not just your mother, Alessio. She's Sienna Black. She plays for eternity, not sympathy."

"She plays with me."

Silence.

"Why now?" he asked. "Why the message now?"

"Because you're close," she said. "To Ricci. To the end. She knew this would tear at you."

"And you? Did you enjoy the lie?"

"Non è mai stato una bugia per me. (It was never a lie to me.)

You are the only part of this world that feels real.

That night we made love, it wasn't strategy.

It was surrender."

He looked away.

But then—he stepped forward. Sat down.

"Tell me everything. No more riddles.

No more secrets. Solo la verità. (Only the truth.)"

"You want the truth?" she said, eyes locked with his.

"Sì."

She exhaled. Finally.

And began to speak—not as a Daughter of the Night, but as the woman who had loved and lied to him.

---

The Truth She Carried

The room was quiet again, but not calm. The air between them pulsed like a living thing.

Lía leaned forward, hands clasped, knuckles pale. Her voice was low, confessional.

> "Your mother disappeared after Ricci's betrayal. Not to die, but to disappear so thoroughly the world would forget to fear her."

"Si è fatta fantasma per diventare leggenda. (She became a ghost to become a legend.)"

Alessio didn't flinch this time. He just watched her.

> "She poisoned herself," Lía continued. "A toxin that mimicked death—slow heartbeat, glassy eyes. Just long enough for the funeral, the burial.

I was under orders to watch you grieve... and protect you from Ricci.

E da te stesso. (And from yourself.)"

Alessio's throat tightened.

> "I would've followed her if she asked," he said. "But she didn't even give me the choice."

> "Because she knows what love makes you do," Lía said, her voice softening. "You would've tried to find her. You would've warned Ricci. And she wanted him to rot in comfort first… before the crimson kiss."

Alessio looked down, exhaling through clenched teeth.

> "And you... you were part of that plan from the start?"

> "No."

"I was sent to observe, yes. Protect you, yes.

But loving you? That wasn't in the plan, Alessio."

He glanced up. There was no mistaking the tremble in her voice.

> "I fell in love with the only man in this world who doesn't wear a mask.

And it terrified me."

They sat in that stillness, the kind that came after thunder but before the rain.

Alessio reached for her hand, hesitated, then pulled it into his.

> "So what now?"

> "Now," Lía said, her voice barely a breath, "you decide whether we keep dancing in the dark,

or burn everything down in the light."

He kissed the back of her hand.

> "Bruciamo tutto." (Let's burn it all.)

But outside, in the canals of Venice, a gondola drifted silently.

And within it, a man in a dark coat listened through a discreet microphone—feeding everything back to a man who thought Africa would save him.

Ricci would soon learn: no ocean was deep enough to escape a Black vendetta.

---

#The Quiet Before Crimson#

Night fell like velvet over Venice, the kind of night that blurred sins and secrets into shadows.

Lía sat curled in the chair, Alessio beside her now, no longer guarded by walls of silence. A soft jazz record played in the corner—old, crackling—like the world had briefly forgotten the violence it owed them.

He poured them both a glass of red wine, handed her one.

"I thought I knew pain," he said after a long sip. "But grieving someone alive—è una crudeltà diversa. (It's a different kind of cruelty.)"

"It broke me, too," she said. "Watching you fall apart while I carried the truth like a dagger in my chest."

"Did she plan for this… for us?"

"No," Lía said. "And maybe that's why it happened. We were the one thing she didn't control."

A quiet smile traced her lips, bitter and tender.

"I've lied for Sienna Black, I've killed for her, bled for her vendetta.

But per te, I became someone else. Someone I didn't recognize... someone real."

Alessio reached out and tucked a strand of hair behind her ear. She didn't move.

"You're not just part of her vengeance anymore," he said. "You're part of me. Siamo legati, adesso. (We're bound now.)"

Lía looked at him then, gaze fierce with emotion.

"Then swear to me. When it's time—when the fire calls—you won't hesitate."

"I'll burn the world," he whispered. "For her.

But I'll rebuild it—for you."

She leaned in, lips brushing his, slow and hesitant.

And this time, when they kissed, it wasn't just hunger. It was a promise carved in breath and skin. His hands cradled her jaw as if touching something fragile, hers traced the line of his back with reverence. Their mouths met again and again—soft, then deeper, until the space between grief and desire blurred.

They didn't rush. No games, no masks.

Just Alessio and Lía in a borrowed night where the only war was the thundering of their hearts.

Outside, Venice slept.

Inside, the fire between them burned slow—but unstoppable.

---

#The Queen Beneath the Veil#

The villa in Switzerland was buried in snow—white, pure, deceptive.

Inside its underground chamber, surrounded by maps, relics, and encrypted dossiers, Sienna Black stood in front of a mirror. She wore black again, as always, but this time no lace, no diamonds. Just the discipline of control.

She touched her belly—not with grief, but memory. "Sei stato il mio inizio." (You were my beginning.)

Behind her, the door slid open with the hush of a blade.

Four women entered, cloaked in silence and obsidian coats. The Daughters of the Night.

Inès – the hacker from Marseille, with silver rings and no soul behind her eyes.

Darya – the Russian exile who once strangled a politician with her braid.

Marisol – born from Colombian fire and trained in poisons the world hadn't named yet.

Juno – the Sicilian, youngest, but blooded early.

"Report," Sienna said, her voice cool as moonlight.

Inès stepped forward.

"The last three are unguarded. Ricci moved again—we lost him in West Africa, but there's chatter he's in Mali. His network is thinning. He's scared."

Sienna smiled faintly.

"Let him be."

Juno tilted her head.

"You don't want him found?"

"I want him watched. Let his paranoia rot him from the inside. Let him believe in peace."

She walked slowly to the table and picked up a crimson lipstick.

"Because when I return, I won't send a whisper."

"You'll send fire," Darya murmured.

Sienna turned to face them. Her eyes were colder than her lips.

"No. I'll send my son."

A pause.

Then she drew a perfect red X on Ricci's photo.

"But first…" She glanced to the wall behind her, where a hidden steel compartment hissed open, revealing an arsenal. "We finish what's left of the old world.

When my Alessio comes into the light,

there will be no shadows left to haunt him."

Marisol gave a quiet nod.

"Capito, Regina Nera. (Understood, Black Queen.)"

---

Outside, the snow thickened.

Inside, the past was sharpening its blade.

And in the next few days, all of Europe would hear whispers of la Rinascita Nera—the Black Rebirth.

---

#The Heat Beneath the Skin#

Bamako, Mali

A decaying estate on the outskirts. Lush land, tall fences, security drones circling like lazy vultures.

Ricci sat in a high-backed chair, shirt open, sweat lining his temples. Around him: three men with rifles, all ex-mercenaries from Libya. None of them trusted each other. But they all feared him—at least, they used to.

He took a long drag of a Cuban cigar. Then checked the old burner phone.

No new alerts. No signs of movement. No name on the wind.

And yet… his hand trembled.

"Non può essere morta," he whispered. (She can't be dead.)

"Boss?" one of the guards asked from the door.

"È troppo silenzioso." (It's too quiet.)

He stood up, pacing.

"Three are dead," he muttered to himself. "The lipstick. The silence. The precision."

"This isn't a vendetta. This is art."

"Maldita strega…" (Damn witch…)

His eyes darted to the far wall, where a portrait of himself hung crooked. He walked over and yanked it down.

Behind it—embedded in the wall—a kiss mark. Crimson. Matte. Dried.

A small card beneath it read in delicate calligraphy:

"When the air stills…

the bullet has already been fired."

—S.B.

His knees gave for a second.

"No… no… non adesso..." (Not now…)

He turned, bellowing, veins pulsing.

"Double the guards! Nobody leaves, nobody enters. I want eyes on the river, on the roads, even the goddamn clouds!"

The guards moved fast, but fear had already infiltrated.

Because Ricci knew: she had vanished for 21 years not to forget…

…but to perfect the strike.

And he'd just felt the first sting of the coming storm.

---

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